This study explores the impact of Bertolt Brecht’s theatrical theories on Girish Karnad’s plays Hayavadana and Yayati. Brecht’s principles of epic theatre, particularly his emphasis on alienation effects and social critique, provide a lens through which Karnad’s works can be examined. The analysis focuses on how Karnad incorporates Brechtian techniques to challenge traditional narrative forms and engage audiences in a critical reflection on societal issues. Through a detailed examination of character development, plot structure, and thematic content, this study reveals how Karnad adapts Brechtian elements to address cultural and existential concerns within the Indian context. By juxtaposing Brecht’s theoretical framework with Karnad’s dramaturgical innovations, the study underscores the dynamic interplay between Eastern and Western theatrical traditions and highlights the evolving nature of modern theatre.

Brechtian theory, Girish Karnad, Hayavadana

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